内容简介： 乡愁，也是一种目光。这本俄国导演塔可夫斯基（Andrey Tarkovsky）的拍立得摄影集，背后有段曲折複杂的故事。1981年，塔可夫斯基已名声远播，受邀和妻子至义大利工作，继而计画定居异国。此举触怒苏联当局，于是将其儿子扣押，一家分隔两地，塔氏不得返回俄国。这本摄影集的前半部，包括大量塔可夫斯基在俄国时期的家庭、妻儿、及生活快照，后半部，则是他至义大利后的影像素写。除了他一贯的诗意与神秘气质外，裡面诸多故土与爱子照片，之后变成流亡异国的导演魂牵梦繫的执念，这些影像后来变成了电影《乡愁》。直到塔氏病痛缠身，即将离世前夕，其子才获准前往义大利，一家团聚。 本书的图片都由老塔亲自标上注解，整部书弥漫着一如其电影镜头般的昏黄深邃感，是一本拍利得版的小电影，值得影迷们收藏。

内容简介： 乡愁，也是一种目光。这本俄国导演塔可夫斯基（Andrey Tarkovsky）的拍立得摄影集，背后有段曲折複杂的故事。1981年，塔可夫斯基已名声远播，受邀和妻子至义大利工作，继而计画定居异国。此举触怒苏联当局，于是将其儿子扣押，一家分隔两地，塔氏不得返回俄国。这本摄影集的前半部，包括大量塔可夫斯基在俄国时期的家庭、妻儿、及生活快照，后半部，则是他至义大利后的影像素写。除了他一贯的诗意与神秘气质外，裡面诸多故土与爱子照片，之后变成流亡异国的导演魂牵梦繫的执念，这些影像后来变成了电影《乡愁》。直到塔氏病痛缠身，即将离世前夕，其子才获准前往义大利，一家团聚。 本书的图片都由老塔亲自标上注解，整部书弥漫着一如其电影镜头般的昏黄深邃感，是一本拍利得版的小电影，值得影迷们收藏。

安德烈•塔可夫斯基（1932-1986）： 俄罗斯导演，20世纪电影史上最伟大的导演之一，身兼作家及演员。他一生只拍了七部电影，但每一部都让他名留影史。 短片《今天不离去》《压路机和小提琴》 长片《伊万的童年》《安德烈·卢布廖夫》《索拉里斯》《镜子》《潜行者》《乡愁》《牺牲》

安德烈•塔可夫斯基（1932-1986）： 俄罗斯导演，20世纪电影史上最伟大的导演之一，身兼作家及演员。他一生只拍了七部电影，但每一部都让他名留影史。 短片《今天不离去》《压路机和小提琴》 长片《伊万的童年》《安德烈·卢布廖夫》《索拉里斯》《镜子》《潜行者》《乡愁》《牺牲》

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant a one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary...(展开全部)

Critically praised for his finely modeled and classically composed photographs, Mapplethorpe remains intensely controversial and enormously popular. Revealing the themes that would inspire Mapplethorpe throughout his career, this book brings together almost three hundred images, many never published, from the Robert Mapplethorpe Foundation's archive and private collections, to ...(展开全部)

Andrei Tarkovsky (1932-86) was considered by many to be one of Russia's most influential filmmakers, despite an output of only seven feature films in 20 years. He was revered by such luminaries as Bergman and Kurosawa for his use of long takes, languid pacing, and meditations on spirituality and the human soul - as can be seen in his best known films, "Andrei Rublev" (1964-66) ...(展开全部)

Andrei Tarkovsky (1932-86) was considered by many to be one of Russia's most influential filmmakers, despite an output of only seven feature films in 20 years. He was revered by such luminaries as Bergman and Kurosawa for his use of long takes, languid pacing, and meditations on spirituality and the human soul - as can be seen in his best known films, "Andrei Rublev" (1964-66) ...(展开全部)